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Without a single prompt, scripted sequence or forced choice Dark Souls manages to give you multiple choices more involved than those previous competitors that all hyped up their moral choices and вЂњgray moralityвЂќ They don't harm you, some of them are even friendly and helpful towards you and if you're observant you can see the foreshadowing of what's to come and choose who gets to live or die. So you're given a second choice Complete their quest and perform a mercy killing or leave a character you might have grown attached to, alive while forgoing the ultimate rewards of that quest line? Going even further there are NPCs who, independent of what you do, will kill other NPCs if you don't kill them. But ultimately, finishing their quest line leads to their eventual hollowing. Or you can do their quest lines and receive more rewards with a greater investment. If you're a jerk or have zero intention of doing their quest lines you can murder them for immediate reward. You can kill every NPC you meet, most of them drop items and equipment when they die.

Take my old dead horse Dark Souls for example.

So, is it possible to do moral choices well, at all, in a game? Certainly! A lot of games do them in a variety of ways. They're choices shoved into a game because moral choices were the hot fad at the time and for a period telling someone to go one way or the other and giving it a few arbitrary visual distinctions was a great way to generate marketing buzz. These aren't interesting choices, they aren't even well thought out or clever choices.

Or the rewards are entirely skewed to one choice over the other, like in Bioshock where the upside to not being evil is so overwhelmingly beneficial there's no reason to be evil other than for the sake of it. There rarely is ever a reward for maintaining a neutral state and the rewards in games like these are usually either equal, such as in infamous where at both max good and evil you gain almost identical powers except one is red and one is blue, meaning the difference is almost solely visual alone turning it into less of a moral choice and more of a aesthetic one. Are you The Good Guy or The Bad Guy? You get a Good Ending and reward or a Bad Ending and reward once you max out your good or evil points and finish the game.

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The inversion of this are of course series like Fable, Infamous and Bioshock where the entire morality system is simply a binary choice. In fact the only time you can ever really screw yourself over by taking a wrong moral choice is by bringing your religious party members along a trip to go defile some saints ashes.

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It wants the player to be absolutely free to be as good or as bad as they want without ever suffering any consequences. Absolutely nothing you do in the game affects you outside of the big plot choices because it is safe. Let a demon posses a small child so you can learn blood magic? Never comes back to bite you in the ass. At worst your party members disapprove but you can give them gifts and they'll never remember it happened. But no one will care and there's no long lasting, or even real consequences from it. So if you want that cool sword, you can bully a child and he'll hand it over. But outside of the big act-ending binary choices of which factions you want to side with the only morality involved comes down to вЂњBe mean and get rewardedвЂќ or вЂњBe nice and don't get rewardedвЂќ. You're often given choices to do a mean thing, or to do a good thing.

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Now take a game like Dragon Age, written and developed by Bioware for the 360, PS3 and PC. It was the only way they could allow the player вЂ“ and the character вЂ“ to respond to NPCs. The player character didn't speak but you didn't have any influence over their personality or development either. You see, with the Dragon Quest example, the choices exist to serve the narrative.

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